Tag Archives: worldbuilding

WE ARE TOUR GUIDES IN THE LANDS OF MAKE-BELIEVE

In “On Fairy Stories,” J.R.R. Tolkien warned us against conjuring “the dreamlands,” saying, “Next, after travellers’ tales, I would also exclude, or rule out of order, any story that uses the machinery of Dream, the dreaming of actual human sleep, … Continue reading

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MAKE THEM EARN IT

Your characters need to earn the things they need to succeed in their own stories. Don’t let anything come too easily, and in most genre fiction, at least, I mean anything and everything must feel that it came at the cost of significant effort. If not, it’s not … Continue reading

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DO YOUR CHARACTERS QUESTION THEIR OWN MOTIVES?

You know, by now, how strongly I feel about the importance of strongly motivated characters—heroes and villains alike. Last October, I got into this in “Why? The Heart of Character Motivation” when it comes to villains: Evil, like good, is … Continue reading

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WHAT WE CAN LEARN FROM A RANDOM SCIENCE FICTION NOVEL: PERRY RHODAN #1 ENTERPRISE STARDUST

This loose series of posts started out in response to my random science fiction (and fantasy and horror and now including other genres) paperback grab-bag box, but let’s expand that out to the series I’m collecting as well, which I talked about here … Continue reading

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NOT EVERYONE IS THE HERO OF THEIR OWN STORY

Sometimes villains know full well they’re being villainous, that they’re hurting people, that what they’re doing is wrong and so must be done in secret, and so live in fear of being caught. When they are caught, they might at … Continue reading

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I RANDOMLY GENERATED A RELIGION

…and here’s why, how, and what I ended up with… This is part of what at this point is just kind of a fun exercise, exploring the idea of writing a randomly generated fantasy novel as part of an effort to maybe write … Continue reading

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SHOULD WE STOP CONJURING THE APOCALYPSE?

Right from the start let me make sure you know that I in no way subscribe to any version of the “Satanic Panic” or its second incarnation, which was to blame “violent video games” for any and every real life … Continue reading

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THE GENUINELY POPULAR CULTURE OF YOUR WORLD IS…

Start with the most basic premise that a story is characters in conflict, and the best stories are those that present the most fully realized characters—characters who feel like real people, however unreal their circumstances—so that no matter how outlandish … Continue reading

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FANTASY AND SCIENCE FICTION AS INVENTED HISTORY

Are we all writing historical fiction, but the history is invented? When I was working as the Forgotten Realms novel line editor at Wizards of the Coast, this idea became something of a mantra to me. When it comes to … Continue reading

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IN A LANGUAGE FAR, FAR AWAY

Some more from the old online worldbuilding course… If we begin with the basic concept that no one literally speaks English in either Westeros or in the galaxy far, far away in which Star Wars takes place then we have to assume … Continue reading

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