A PRISONER OF THE PRISONER

My wife and I have been watching Mad Men on AMC, so we were exposed to the commercials for the remake of the classic 60s British TV series The Prisoner. I had always been aware of The Prisoner, but from a distance, had only seen part of one episode once, a long time ago, and have heard for years from all sorts of people about how good it was, how smart, how surreal. I set my DVR to record the new show then got a text message from Wizards of the Coast art director extraordinaire Matt Adelsperger cluing me in to the fact that AMC was running the entire seventeen-episode run of the original series on On Demand.

Well, heck, I had to at least watch the first one, so I did, and I’ve been working my way through them, an episode a day for the last week. I’m not all the way through, so no spoiler comments, but so far I’m loving it.

What a remarkable mix of the sort of UK spy stuff that Austin Powers was based on, with a definite SF edge, and utterly oddball touches, like the giant white balloon that chases people down, seems to engulf them, and deliver them back to the “safe” confines of the Village.

In case you wake up there tomorrow.

The Village itself is this beautiful, pastoral little place that just looks lovely. I want to live there. Seriously. Turns out it’s a real place, not just the world’s most elaborate TV set. The village is called Portmeirion, and is a resort in Wales. It’s now on my list of places to someday visit. They should hold an SF convention there.

 

The ultimate gilded cage, the Village.

 

 

But there’s more to The Prisoner than the sets and the balloon. To me it’s one of those irrepressible documents of a now-bygone era. In an email exchange with my current editor and former boss Peter Archer, I noted that I was worried that the remake couldn’t stand up to the original if for no other reason than that there’s no way, in 2009, to recapture that hyper-romanticized Cold War mentality that infuses the series. I won’t know for a while if I’m right—I’m going to watch all of the original series before watching the remake.

Surely Patrick McGoohan, credited as producer—and the writers—were familiar with the writings of Ayn Rand. McGoohan’s Number Six might be the ultimate Objectivist Hero, imprisoned by it-doesn’t-matter-who for it-doesn’t-matter-why and resisting if for no other reason than because he doesn’t feel as though they asked him nicely enough. If you’ve restricted my freedom in any way, to hell with you. He doesn’t assume that it’s the Soviets who have him—it could be the British. He resigned at the beginning of the series—repeated at the start of every episode in one of the coolest opening sequences ever—for reasons still left unknown at least through episode eight.

#6

Where am I?

#2

In the Village.

#6

What do you want?

#2

Information.

#6

Whose side are you on?

#2

That would be telling. We want information . . . information . . . information.

#6

You won’t get it!

#2

By hook or by crook we will.

#6

Who are you?

#2

The new Number 2.

#6

Who is Number 1?

#2

You are Number 6.

#6

I am not a number, I am a free man!

The Prisoner—yeah, one of my new favorite TV series of all time.

Why? Because it’s science fiction that isn’t afraid to take a shockingly rigid stance—set aside whether or not I would take that same stance myself—and isn’t the slightest bit afraid to think big and go weird.

And there’s this McGoohan guy. What a strange little badass he is. A man’s man—for men in London in 1967, anyway—who seems to have built his own car, literally marched in and quit his job, and seems unwilling—not unable, mind you—to keep one of his eyes all the way open. That look kills me.

 

Patrick McGoohan, driving the groovy roadster he built himself in The Prisoner.

 

 

I’m going to go back to the mirror and keep practicing it.

Thanks, AMC.

 

—Philip Athans

 

About Philip Athans

Philip Athans is the New York Times best-selling author of Annihilation and a dozen other books including The Guide to Writing Fantasy and Science Fiction, and the recently-released How to Start Your Own Religion and Devils of the Endless Deep. His blog, Fantasy Author’s Handbook, (https://fantasyhandbook.wordpress.com/) is updated every Tuesday, and you can follow him on Twitter @PhilAthans.
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5 Responses to A PRISONER OF THE PRISONER

  1. philipbattle says:

    Nice blog…..Haven’t seen the remakes yet but looking forward to them here in the UK…..I was in Portmeirion yesterday (1st March) and blogged it….you can read it here: http://philipbattle.wordpress.com😉

    BE SEEING YOU……….

  2. Nick Pembury says:

    Who is Number 1?
    You are, Number 6.

    Be seeing you.

  3. Pingback: MY 100th POST | Fantasy Author's Handbook

  4. Art Joyce says:

    I picked up on The Prisoner back in the early ’90s when PBS TV was re-running it and was instantly hooked. It has elements of Huxley’s Brave New World and Orwell’s 1984 and is every bit as literate. McGoohan was an auteur, a Renaissance Man who created that rarest of entities—art in the mass medium of TV, normally such a creative wasteland. (Many of the episodes were also written by him under pseudonyms.)

  5. Pingback: MY BICENTENNIAL (AFTER A FASHION) | Fantasy Author's Handbook

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